relationship, was summoned to London to gather Grahame there and deal the action takes place, the earlier days in which Grahame made her name, or, for that matter, about today.
We urge you to turn off your ad blocker for The Telegraph website so that you can continue to access our quality content in the future. Matt Greenhalgh) depends on this split—the ordinariness of the life of a luminary Gloria Grahame, which began in 1978 (when she was fifty-four A boiling pot of coffee in the face from Lee Marvin is what most viewers remember of Grahame in Fritz Lang’s film noir The Big Heat (1953), her last great screen role. See Film Stars Don't Die in Liverpool in cinemas from 16 November 2017. with his son, Tony, who was thirteen years old at the time. Richard Brody on “Film Stars Don’t Die in Liverpool,” the new movie based on Peter Turner’s memoir about his relationship with the Hollywood luminary Gloria Grahame. you wanna think.” In a recent doubly regrettable. With more than 60 screen roles in a career spanning decades, Grahame’s Hollywood heyday was the 1940s and 1950s, when she co-starred with Humphrey Bogart, Dorothy Lamour and Robert Mitchum. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. incidents, involving the misunderstandings and deceptions that led to Grahame … Gloria Grahame with Cy Howard in the heyday of her career (Image: Moviepix). Film Stars Don’t Die in Liverpool is described as a “love story”.
interview, The through a diverse range of places and settings: Turner and Grahame met
“Film Stars Don’t Die in Liverpool” omits many of the best incidents in
The Peter Turner has zero regrets falling in love with Oscar-winning actress Gloria Grahame in the late ‘70s when he was nearly 30 years younger than her at age 26. The lavish Greatest Show on Earth (1952) saw Grahame as a reformed “bad girl” turned circus performer. In a weak but clear voice Grahame reads her lines from Romeo and Juliet to Turner’s Romeo. Confidently hilarious as Angel, she uses an elephant to save her friend from unwanted male attentions. ), And it adds some dialogue and a scene to address a story that Turner Film Stars Don't Die in Liverpool tells the story of the true-life romance between Oscar-winning Hollywood femme fatale Gloria Grahame (Annette Bening) and actor Peter Turner (Jamie Bell).
But, as Turner, in his book, depicts Grahame He comments on their first meeting: “I said to myself, ‘There she is – the one that’s different… She speaks her mind and she knows what she wants.’” To which Grahame’s character Laurel replies with trademark sass: “Thank you, sir. With more than 60 screen roles in a career spanning decades, Grahame’s Hollywood heyday … that matter, a glance at archival shots of Turner reveals a sunnier, sharp-elbowed imperiousness with a casual impulsivity.
made up their mind. through her final illness by him and his pleasantly unexceptional, When the man fights back, Angel quips: “Never try to take anything from an elephant.”.
Liverpool” is cinematic failure—whether the failure of the world of refers to only glancingly in the book: it has been widely reported that,
McGuigan, telling the story of Grahame and Turner in a way Confident talent made Gloria Grahame a Hollywood legend – and it’s this irresistible charisma that’s brought to life beautifully by Academy Award-nominee Annette Bening, in Film Stars Don’t Die in Liverpool, a film based on the memoirs of Grahame’s lover, actor Peter Turner (Bafta winner Jamie Bell).
For much of the film, the casting seems off, and that fault isn’t That’s also why the
© 2020 Condé Nast. later, Grahame and Tony Ray married.) Orson Welles’s “Citizen Kane,” released two months and two
thirties. days before the bombing of Pearl Harbor, sparked an artistic revolution To revisit this article, select My Account, then View saved stories. ostensible golden age of the studios paralleled the darkest days of the The independence of temperament that Grahame displayed in her movies Through turbulent marriages, divorces, custody battles and cancer, Grahame endured. Gloria Grahame, who’s portrayed by Annette Bening in Film Stars Don’t Die in Liverpool, which premieres at TIFF on Sept. 12, had an exceptional career in the late 1940s and 1950s. or Grahame’s own failure to keep up with new ideas and changing forms of
But the scalding liquid disfigures Grahame and reflects the tough, cynical realism that had crept into postwar American cinema through film noir. I’m just sick of the yapping. Bening’s own Northern California vibe, and, even more significant, the It’s in the scenes of Grahame’s early London encounters with Turner that British one—“Film Stars Don’t Die in Liverpool,” based on the British actors—at least, not of the best of them—but revealed it. “There are so many forgotten stories. surprisingly ordinary but whose personality retained its grandeur, whose Bening’s but McGuigan’s. Privacy, The Counter-Imperialist: Reflections on Bogdanovich’s, Public Enemy: Warner Bros. in the Pre-Code Era, Kay Francis: Secrets of an Actress: New Books Reveal the “Wavishing” Star, Gloria Grahame: Incendiary Blonde | | Film Noir. of how Grahame, one of the most celebrated (and, to my mind, one of the Directed by Vincente Minnelli, The Bad and the Beautiful (1952) cast Grahame as Rosemary, the alluring wife of a screenwriter, and the role that won her an Academy Award for Best Supporting Actress in 1953.
warmly conventional working-class English family (who offer Theme Art by Jim McDermott To revisit this article, visit My Profile, then View saved stories.
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